The Original Fan

A PRODUCER'S GUIDE TO THE EVOLUTION AND PRODUCTION OF JOHN CARPENTER'S THE THING (SEE INTRODUCTION)

Sunday, April 29, 2012

THE SOUND

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                    Thirty years ago this week THE THING began it's final sound mix at what was then the best fac...
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Saturday, April 7, 2012

CASTING GARRY AND COPPER

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Lee Van Cleef Jerry Ohrbach Kevin Conway Lee Van Cleef was an initial consideration, h...
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NAULS IN BLACK AND WHITE

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                Recently an eagle-eared listener at IMDB noted that John's line regarding T.K. Carter on the commen...

QUE VIVA WINDOWS

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                  ... who in the early drafts of the script was named Sanchez. It is in memory ( which can be unreliable ) that...
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CASTING BLAIR

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                From a storytelling standpoint it was our intent that Blair be infected very early on in the proceedings, a...
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Thursday, April 5, 2012

THE NOVELISATION

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               The novelisation of THE THING was considered a publicity tool - Alan Dean Foster was hired by Univer...
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Tuesday, March 20, 2012

THE COMPUTERS

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                  THE THING, having been produced on the cusp of a digital universe, is a resolutely  all-analog film, without a fram...
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Stuart Cohen
Producer, JOHN CARPENTER'S THE THING
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